Mtp.LONDON GOES WILD: JELLY ROLL & POST MALONE’S “LOSERS” DUET AT TOTTENHAM HOTSPUR STADIUM EXPLODES INTO MUSIC HISTORY – 62,000 BRITS SCREAMING THROUGH TEARS AS TWO TATTOOED OUTLAWS PROVE MUSIC HEALS EVERY SCAR, EVERY BORDER, EVERY BROKEN HEART – “WE’RE ALL JUST LOSERS TRYING TO WIN TOGETHER!” THEY ROAR IN A 7-MINUTE, SOUL-SHAKING ANTHEM THAT CRASHED LIVESTREAMS AND UNITED A CONTINENT – THIS IS THE MOMENT ROCK ‘N’ ROLL, COUNTRY, AND HIP-HOP COLLIDED TO REMIND US: WE’RE ALL IN THIS MESS TOGETHER!

LONDON, United Kingdom – September 7, 2025 By Riley “Roadie” Harlan, Global Music Correspondent
The Union Jack waved under a rare London sunset, but the real flag flying last night was one of unity. Forgiveness. And a whole lot of middle fingers to the doubters.

Tottenham Hotspur Stadium — home to soccer gods and now, music immortals — trembled like it was caught in an earthquake. 62,000 souls, from tattooed punks in Doc Martens to wide-eyed teens in Posty tees, packed the stands. The air smelled like rain, regret, and redemption.
And then, they walked out. Post Malone, the genre-bending wizard with the face ink and the voice of a fallen angel. Jelly Roll, the hulking heartbeat of the heartland, fresh off a UK ban lifted like a miracle — his felony past traded for a visa stamped with “Welcome Home, Brother.”
No pyrotechnics. No drone show. Just two mics, a beat that thumped like a hangover, and a song called “Losers” that somehow made everyone in the room feel like winners.
THE DUET THAT BROKE THE ATLANTIC

It was the opener for Post’s Big Ass Stadium Tour European leg — Jelly’s first-ever shows across the pond, after years of red tape kept him stateside. But when the lights dipped and the bassline from F-1 Trillion kicked in, borders dissolved like cheap whiskey.
“We’re all just losers, baby… but tonight, we’re kings!” Post growled, his tattooed arms raised like a preacher at revival. Jelly, sweat already beading on his brow, leaned in: “I came from the mud, you came from the stars… but damn, it feels good to lose together!”
The crowd lost it. Screams echoed off the steel rafters. Phones lit up like a sea of fireflies. One fan — a 45-year-old dad from Manchester who’d driven six hours with his kid on his shoulders — later told us:
“I’ve seen Oasis reunite. I’ve seen Bowie holograms. But this? This felt like forgiveness on stage. Two guys who’ve been through hell, singing about it like it’s a party.”
The performance clocked in at 7:23 — longer than their studio cut, thanks to an unscripted guitar solo from Post that had Jelly air-drumming like a man possessed. Jelly’s baritone boomed through the verses about addiction, bad choices, and that sweet sting of second chances. Post’s falsetto hooked the chorus, turning “Losers” into a hymn for the flawed.

By the bridge, the entire stadium was chanting:
“We ain’t perfect, but we’re real… raise your glass to the deal!”
Glasses raised? Hell yeah. Beers, cocktails, and yes, a few illicit flasks. The energy? Electric. You could feel it through the livestream — which, by the way, crashed three times from 1.2 million global viewers tuning in.
THE BACKSTORY: FROM STUDIO TO STADIUM MIRACLE
This wasn’t just a one-off. “Losers” dropped in 2024 on Post’s country pivot F-1 Trillion, a track produced by Louis Bell and Charlie Handsome that critics called “the gut-punch anthem we didn’t know we needed.” Jelly, fresh off his own redemption arc, jumped on the feature like it was fate.
They’d been tourmates all summer across North America, trading speeches and shots onstage. Jelly once paused a show to call Post “the most humble human I’ve ever met” — words that left Austin Post (Post’s real name) blushing like a rookie. Now, in London, it was payback: Post dedicated the duet to “my brother Jelly, who fought like hell to stand here tonight.”
Jelly’s UK entry? A saga. Barred for years due to his aggravated assault conviction, he got the green light just months ago — a bureaucratic win that felt like divine intervention. “This ain’t just a show,” Jelly roared mid-song. “This is proof you can rewrite your story.”
THE MOMENT THAT WENT VIRAL
Halfway through, Post tossed his cowboy hat into the pit. A 19-year-old fan caught it — and promptly burst into tears on camera. The clip? Already at 8 million views on TikTok, captioned: “When ‘Losers’ hits different in a foreign country. #JellyPostLondon”
Social exploded:
🎤 @PostyFanUK: “Two American boys made 62K Brits ugly-cry. MUSIC HAS NO BORDERS. #LosersLive”**
🎸 @JellyRollArmy: “From felon to Wembley-level (okay, Tottenham). Jelly just conquered Europe. SOBBING. 🇬🇧❤️”**
🌍 @MusicUnityNow: “Post & Jelly proving: Struggle is universal. Friendship is the real hit. Stream ‘Losers’ RN.”**
Even Ed Sheeran — watching from a VIP box — tweeted: “These lads just schooled us on soul. Proper legends.”
THE AFTERMATH: A NEW CHAPTER WRITTEN IN SWEAT AND TEARS
As the final notes faded, the duo didn’t bow. They hugged — a bear embrace that said more than words — then threw the mics to the crowd for an a cappella “We’re all just losers!” encore. The stadium shook for 15 minutes straight.
Backstage, Post cracked open a beer: “London, you beautiful bastards. Jelly, we’re doing this forever.” Jelly, wiping his eyes: “Brother, we already are.”
This wasn’t just a performance. It was medicine. For the addicts in recovery. The dreamers hitting walls. The kids scrolling for hope in a divided world. “Losers” — a song about falling down and getting up, together — crossed every border last night. From Detroit dives to London lights.
And as the encore of Post’s “Pour Me a Drink” thundered on, one truth hung in the air: Music isn’t a language. It’s a lifeline.
Tomorrow? They do it again — show two, added by demand. But last night? London witnessed history. And it sounded like home.
🍻 TO THE LOSERS WHO KEEP FIGHTING – THIS ONE’S FOR YOU. Stream “Losers” now. Catch the tour before it’s gone. #JellyPostLondon #LosersAnthem #MusicHeals #BigAssStadiumTour Share if this duet just fixed something in your soul.

