2S.What did The Rock say about the rumor that NETFLIX is planning to produce a Superman vs. Blackadam movie?

In the ever-turbulent world of superhero cinema, rumors spread faster than a Kryptonian under yellow sunlight. Recently, Netflix France ignited the internet with a provocative graphic pitting Dwayne “The Rock” Johnson’s Black Adam against Henry Cavill’s Superman.

The caption? “1 vs 1, who wins? BLACK ADAM, it’s available.” Fans erupted in speculation—could this signal Netflix’s bold move into DC territory, perhaps a full-blown crossover film? The timing felt eerily perfect, coming just days after Zack Snyder teased fresh images from his SnyderVerse era.

But The Rock, ever the straight shooter, wasn’t about to let fiction blur into fact without a reality check.

Dwayne Johnson, whose portrayal of the ancient anti-hero in 2022’s Black Adam

remains a fan favorite despite its box office stumbles, took to social media with characteristic candor. “100% fake news,” he posted on X, swiftly debunking whispers of Netflix greenlighting a

Superman vs. Black Adam showdown.

His words cut through the hype like Black Adam’s lightning bolt, reminding followers that while he’d championed such a clash for years, this particular rumor was pure smoke and mirrors. Johnson’s quick clapback underscores his frustration with unchecked speculation, especially amid ongoing DC reboots and streaming wars.

The rumor itself stemmed from Netflix’s playful marketing for Black Adam‘s streaming availability. The French branch’s post featured a dramatic face-off image, evoking the post-credits tease from the original film where Cavill’s Man of Steel confronts Johnson’s Teth-Adam.

It was cheeky promotion, not a project announcement—yet social media amplified it into a potential SnyderVerse revival or Netflix-DC acquisition plot. Enthusiasts pointed to Warner Bros. Discovery’s financial woes and Netflix’s aggressive content grabs, like their rumored interest in poaching more IP.

But as of November 24, 2025, no official talks have surfaced, leaving the buzz as just that: electric but unfounded.

To understand The Rock’s emphatic denial, one must rewind to

Black Adam‘s genesis—a passion project Johnson nurtured for over a decade. He didn’t just star; he produced through Seven Bucks Productions, envisioning Black Adam as a disruptive force in the DC Extended Universe (DCEU).

The film grossed $393 million worldwide, a solid debut for an obscure character, but fell short of the $600 million break-even mark amid rising budgets and marketing costs. Critics praised Johnson’s commanding presence and the Justice Society’s fresh dynamics, yet the movie’s mixed reviews (52% on Rotten Tomatoes) highlighted tonal clashes between gritty anti-heroism and lighter superhero fare.

Central to the hype was Johnson’s long-teased dream of Black Adam squaring off against Superman. At the 2022 premiere, he told ComicBook.com, “That is the whole point of this, man—absolutely, Black Adam will fight Superman on screen.” It wasn’t vanity; comics history backs it up.

Black Adam, empowered by Egyptian gods, has clashed with Kal-El multiple times, from 52 to World War III, showcasing ideological battles between ruthless justice and hopeful heroism.

Johnson saw it as a natural evolution, even lobbying Warner Bros. execs for Henry Cavill’s cameo, which materialized in that iconic post-credits stare-down.

Yet, the DCEU’s seismic shift derailed those plans. Enter James Gunn and Peter Safran in late 2022, tasked with rebooting DC Studios under Warner Bros. Discovery CEO David Zaslav. Zaslav had consulted Johnson on salvaging the franchise post-

The Batman‘s success, but Black Adam‘s underperformance halted those discussions cold.

Gunn’s vision prioritized a unified universe starting with a younger Superman (David Corenswet in 2025’s Superman), sidelining Cavill and Johnson’s anti-hero. No sequels, no crossovers—just a multiverse nod at best, as Johnson later reflected in interviews, likening it to a “vortex of new leadership.”

Johnson’s response to the rumor isn’t mere damage control; it’s a masterclass in Hollywood resilience. He’s no stranger to backlash—accusations of ego-driven meddling, like vetoing Shazam ties for a Superman focus, dogged

Black Adam‘s production.

Insiders claimed he positioned Black Adam above icons like Batman, but Johnson counters that narrative fiercely. In a 2023 Variety chat, he emphasized collaboration, crediting Gunn’s fresh start while expressing pride in his film’s legacy. “We built something badass,” he said, “and fans still chant for it.” His X history shows unwavering support for DC, from hyping JSA spin-offs to teasing energy drink collabs, proving his commitment transcends one project.

This latest flap highlights broader industry tensions. Netflix, flush with hits like Stranger Things and The Witcher, eyes superhero expansions but treads carefully with DC’s IP fortress. Warner Bros., reeling from $115 million in

Black Adam write-downs, focuses on Gunn’s Chapter One: Gods and Monsters.

Yet, Johnson’s clout endures—his 400 million Instagram followers make him a box office magnet, even in flops. Rumors of him pitching Black Adam to other streamers persist, though he denies them outright. “Focus on the work, not the noise,” he advised in a recent podcast, echoing his wrestler roots where trash talk meets action.

Fan reactions to the rumor and Johnson’s shutdown run the gamut. SnyderVerse diehards mourn the lost Cavill era, flooding X with #RestoreTheSnyderVerse pleas. Others celebrate Gunn’s optimism, praising Superman‘s heartfelt trailer.

Black Adam loyalists, meanwhile, rally behind Johnson, sharing fan art of epic battles and petitioning for an Elseworlds one-off. The discourse reveals superhero fatigue’s flip side: insatiable hunger for what-ifs. As one Redditor quipped, “The Rock vs. Superman is the crossover we deserve, even if it’s just in memes.”

Looking ahead, Johnson’s plate overflows with non-DC ventures. Moana 2 voices Maui again, Rampage 2 looms, and his Teremana Tequila empire thrives. But he hasn’t closed the DC door entirely. In a 2024 CinemaBlend interview, he mused, “If the stars align, Black Adam’s story isn’t over.” Gunn has echoed openness to multiverse cameos, hinting at Johnson’s potential in animated Justice League projects or live-action surprises. For now, though, the Netflix tease serves as fan service, not script pages.

The Rock’s rumor-busting reinforces his brand: unapologetic, larger-than-life, yet grounded. In an era of reboots and retreads, his candor cuts through, reminding us that true power lies in authenticity, not fabricated feuds. As Black Adam himself might thunder, “The time of heroes is over”—but for legends like Johnson, it’s just intermission. Fans, hold onto your capes; the next bolt could strike anytime.